鹰的影子看起来像人,让我害怕。S □□□pace and time be □□□come pawns in th □□□e director's han □□□ds, who in effec □□□t accomplishes t □□□heir operatic tr □□□anquility in con □□□trast to the sta □□□tic directorial □□□style.Boosted eq □□□ually by grandeu □□□r, mystifying sy □□□mbolism and pict □□□orial lyricism t □□□he film comes to □□□ its redeeming c □□□onclusion.Enchan □□□ting, liberating □□□, revolutionary, □□□ focused and pre □□□cise. □□□